Sirk nearly blew a gasket. He threw his hands up and turned, facing the windshields. I want to know why you failed to make the course correction in time and why you decided dropping a dozen Literal bombs on an inhabited planet would be nothing worth mentioning until now? Sirk slapped his forehead, frightening his younger officer for only the briefest of moments with the possibility that doing so may rupture the blood vessels now pulsing away.
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By Violet Lucca on December 3, Fassbinder died either on the evening of June 9 or the early morning of June 10 in , just three weeks into the editing of Querelle. As has been well-documented elsewhere, his prodigious filmic output and drug abuse fed off each other: his body was discovered by Julie Lorenz, his editor and occasional lover, in the apartment of fellow director Wolf Gremm, next to notes for a film about German-Polish socialist agitator Rosa Luxemburg. The television in his room was still on, a mundane detail which continues to move me. After putting off watching it for many years, I was surprised by how fresh and genuinely funny it is.
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Dreyer, and even Ingmar Bergman. Of course, re-watching all of these films reminded me of the quite dejecting fact that Buttgereit completely gave up filmmaking when he was in his prime after his masterful serial killer flick Schramm because he felt burnt out and was tired of having no money to work with. Indeed, while Buttgereit did indeed return to filmmaking in a sense in to direct an episode of the Canadian science fiction TV series Lexx and he would go on to direct various documentaries like Monsterland , the goofy filmed theater piece Captain Berlin versus Hitler , the superlatively silly stageplay triptych Monsters of Arthouse , and one of the three segments of the horror anthology German Angst , none of these films aside from possibly the latter contain the same distinctly Teutonic seriousness, innately instinctual and visceral artsy, unrelenting obsessiveness, gorgeously grotesque clarity of vision and all-around idiosyncratic economic filmmaking that epitomizes his four feature-length works. While Buttgereit discussed in an interview with Loris Curci in Shockmasters Of The Cinema about how he was working on both a film about a TV show host and a much anticipated cinematic work entitled NEKRomantik 3 apparently, he even penned two different scripts for the latter , neither of these projects ever came to fruition.
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